{"id":5923,"date":"2023-12-12T12:00:18","date_gmt":"2023-12-12T11:00:18","guid":{"rendered":"http:\/\/ensemblelareveuse.com\/?p=5923"},"modified":"2024-01-22T13:53:20","modified_gmt":"2024-01-22T12:53:20","slug":"sortie-discographique-london-circa-1740-haendels-musicians","status":"publish","type":"post","link":"https:\/\/ensemblelareveuse.com\/en\/sortie-discographique-london-circa-1740-haendels-musicians\/","title":{"rendered":"DISCOGRAPHIC RELEASE &#8211; London circa 1740 Handel&#8217;s musicians"},"content":{"rendered":"<p>The third opus in the series on instrumental music in England is available Harmonia Mundi!<\/p>\n<p>For this new installment devoted to British instrumental music of the 18th century, La R\u00eaveuse invites us to discover London in the 1740s. The great Italian and German virtuosi Handel invited into his orchestra brought a powerful wind of innovation to English musical life, while the Scotsman James Oswald succeeded in making his country&#8217;s music fashionable in London salons.<\/p>\n<p>Florence Bolton will be on Fr\u00e9quence Protestante on September 10 at 12:30 and Radio Classique on September 16 at 8:30 to talk about this exciting project.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6322\" src=\"https:\/\/ensemblelareveuse.com\/wp-content\/uploads\/2023\/09\/Logos-Londres1740-7-600x480.jpg\" alt=\"\" width=\"600\" height=\"480\" srcset=\"https:\/\/ensemblelareveuse.com\/wp-content\/uploads\/2023\/09\/Logos-Londres1740-7-600x480.jpg 600w, https:\/\/ensemblelareveuse.com\/wp-content\/uploads\/2023\/09\/Logos-Londres1740-7-400x320.jpg 400w, https:\/\/ensemblelareveuse.com\/wp-content\/uploads\/2023\/09\/Logos-Londres1740-7-768x614.jpg 768w, https:\/\/ensemblelareveuse.com\/wp-content\/uploads\/2023\/09\/Logos-Londres1740-7-1536x1229.jpg 1536w, https:\/\/ensemblelareveuse.com\/wp-content\/uploads\/2023\/09\/Logos-Londres1740-7-1000x800.jpg 1000w, https:\/\/ensemblelareveuse.com\/wp-content\/uploads\/2023\/09\/Logos-Londres1740-7.jpg 2000w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>PRESS REVIEW :<\/strong><\/span><\/p>\n<p><i>\u00ab<\/i><i>Zwar geht es durchweg mit Verve zur Sache, aber dabei achtet es immer auf die <\/i><i>Ausgewogenhait<\/i><i> seiner Gestaltung <\/i><i>une<\/i><i> auf die kammermusikalische Klangkultur.\u00a0 <\/i><i>Einmal<\/i> <i>mehr<\/i> <i>wird<\/i> <i>deutlich<\/i><i>, <\/i><i>dass<\/i><i> die <\/i><i>Musiker<\/i><i> um Florence Bolton <\/i><i>und<\/i><i> Benjamin Perrot <\/i><i>emotionalen<\/i> <i>Ausdruck<\/i><i> une <\/i><i>gute<\/i> <i>Laune<\/i> <i>nicht<\/i> <i>auf<\/i> <i>Kosten<\/i><i> der <\/i><i>Komponisten<\/i> <i>und<\/i> <i>ihrer<\/i> <i>Werke<\/i> <i>erzielen<\/i><i>. Sehr <\/i><i>interessant<\/i> <i>ist<\/i> <i>zudem<\/i><i> der <\/i><i>Einf\u00fchrungstext<\/i><i>, der <\/i><i>politische<\/i><i> une <\/i><i>soziale<\/i> <i>Aspekte<\/i><i> von <\/i><i>H\u00e4ndels<\/i> <i>Umfeld<\/i><i>\u00a0 in den <\/i><i>Blick<\/i> <i>nimmt<\/i><i>. <\/i><i>\u00bb <\/i><b>Matthias <\/b><b>Hengelbrock<\/b><b>, <\/b><b>FonoForum<\/b><b>, <\/b><b>d\u00e9cembre<\/b><b> 2023<\/b><\/p>\n<p><i>\u00abThis is a delightful and eclectic disc (\u2026) The performances from La R\u00eaveuse are anything but polite and academic. Here we have a group of musicians giving us wonderfully engaged performances, full of style and all played with a great chamber music sensitivity.\u00bb \u00a0<\/i><b>Millenium of Music<\/b><b>, 20 <\/b><b>novembre<\/b> <b>2023<\/b><\/p>\n<p><i>\u00ab<\/i><i>Au\u00dfer ihrer Musik waren in den G\u00e4rten von Vauxhall &#8220;Folk <\/i><i>tunes<\/i><i>&#8220;, popul\u00e4re T\u00e4nze und Lieder, zu h\u00f6ren &#8211; wie jene des Schotten James Oswald, der Variationen auf Volksweisen und T\u00e4nze aus Schottland f\u00fcr Fiddle oder Fl\u00f6te komponierte. Beeindruckend, wie \u00fcberzeugend die <\/i><i>Musiker:innen<\/i><i> von La <\/i><i>Reveuse<\/i><i> beide Klangwelten, Konzerte im italienischen Stil wie schottische Folklore, auf diesem Album einfangen.<\/i><i>\u00a0<\/i><i>\u00bb\u00a0<\/i><b>Hans Georg Nicklaus, \u00f61\u00a0 &#8211;<\/b><b>\u00d6sterreichischer<\/b><b> Rundfunk <\/b><b>, 30 <\/b><b>octobre<\/b><b> 2023<\/b><\/p>\n<p><i>\u00ab<\/i><i>Endless<\/i> <i>pleasure<\/i><i> !\u00a0<\/i><i>\u00bb\u00a0<\/i><b>Ivan Alexandre, Diapason<\/b><b>, <\/b><b>octobre<\/b><b> 2023<\/b><\/p>\n<p><i>\u00ab An album where agility and delicacy excel \u00bb\u00a0<\/i><b>Thierry <\/b><b>Hilleriteau<\/b><b>, Le Figaro<\/b><b>, 28 <\/b><b>septembre<\/b><b> 2023<\/b><\/p>\n<p><i>\u00ab <\/i><i>The bouquet on offer here from La R\u00eaveuse is as fragrant as a fine July day, often light-hearted &#8211; which doesn&#8217;t preclude whimpers of melancholy &#8211; and wonderfully well performed<\/i><i> \u00bb\u00a0<\/i><b>Emmanuelle Giuliani, La Croix<\/b><b>, 22 <\/b><b>septembre<\/b><b> 2023<\/b><\/p>\n<p><i>\u00ab\u00a0A <\/i><i>programme<\/i><i> that should be self-recommending, its attractions enhanced by an entertaining note on the music\u2019s social and political background.\u00bb <\/i><b>Richard Wigmore, Gramophone<\/b><b>, 8 <\/b><b>septembre<\/b><b> 2023<\/b><\/p>\n<p><i>\u00abThis is an enticing disc that includes a range of influences and composers to give us a hint of London&#8217;s musical life in the 1740s, when musicians in Handel&#8217;s orchestra could be star <\/i><i>names in their own right<\/i><i>. As in previous issues, the &#8216;La <\/i><i>Reveuse<\/i><i>&#8216; ensemble deliver some magnificent performances full of insight and warm-hearted feeling, and the music is consistently treated with deep emotional sensitivity. \u00bb\u00a0<\/i><b>Gerald Fenech, Classical Music Daily<\/b><b>, 7 <\/b><b>septembre<\/b><b> 2023<\/b><\/p>\n<p><i>\u00ab\u00a0A carefully researched and imaginative <\/i><i>programme<\/i><i> \u00bb\u00a0<\/i><b>Nicholas Anderson <\/b><b>, Classical Music, BBC Music Magazine, 5 sept. 2023<\/b><\/p>\n<p><i>\u00ab It\u2019s a fantastic mix of strings and woodwind, high <\/i><i>galant<\/i><i> elegance and folkier lilt, performed with an abundance of finesse-filled charm <\/i><i>\u00bb\u00a0<\/i><b>Charlotte Gardner, <\/b><b>Dcs<\/b><b>, Classical Choices, <\/b><b>August 2023<\/b><\/p>\n<p><i>\u00ab <\/i><i>Het Franse ensemble La R\u00eaveuse schetst een mooi en bruisend beeld van die tijd. Een mooie ontdekking. <\/i><i>\u00bb\u00a0<\/i><b>Joost <\/b><b>Galema<\/b><b>, NRC, <\/b><b>25 <\/b><b>ao\u00fbt<\/b><b> 2023<\/b><\/p>\n<p><em><i>\u00ab\u00a0<\/i><i>C\u2019est une magnifique invitation au voyage dans la vie musicale \u00e0 Londres au XVIIIe si\u00e8cle que nous offre l\u2019ensemble La R\u00eaveuse, interpr\u00e9tant avec beaucoup de verve et de virtuosit\u00e9 ces pages peu connues et peu enregistrement du r\u00e9pertoire baroque. <\/i><i>\u00bb\u00a0<\/i><b>Beethoven et les <\/b><b>autres<\/b><b>, 18 <\/b><b>ao\u00fbt<\/b><b> 2023<\/b><\/em><\/p>\n<p><em>\u00ab The nine players of La R\u00eaveuse, founded by Florence Bolton and Benjamin Perrot, make lively guides through the music of the decade.\u00bb\u00a0<\/em><strong>Richard Fairman, 15 ao\u00fbt 2023, Financial Times<\/strong><\/p>\n<p><i>\u00ab Brightness meets tenderness, intimacy meets exuberance, and this interplay captures the listener\u2019s attention. \u00bb\u00a0<\/i><strong>Norbert Tischer, Pizzicato, 15 Ao\u00fbt 2023<\/strong><\/p>\n<p><em>\u00a0&#8220;This is a delightful and eclectic disc, with a group of musicians giving us wonderfully engaged performances, full of style and all played with a great chamber music sensitivity&#8221;<\/em> <strong>Planet Hugill, August 15, 2023<\/strong><\/p>\n<p><em>\u00a0&#8220;This is a splen<\/em><em>did disc, which will give you more than an hour of musical entertainment at the highest level.&#8221; <\/em><strong><em>Johan van Veen<\/em>, 14 juillet 2023, Musicwebinternational.com<\/strong><i><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>EXTRACTS FROM THE ALBUM :\u00a0<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=W-oOPU2sU9U\">James Oswald (1710 \u2013 1759),\u00a0<i>Hugar Mu Fean<\/i> <\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=F_61Wq1uURc\">James Oswald (1710 \u2013 1759),<i>The Cameronian\u2019s Rant<\/i>\u00a0<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>La R\u00eaveuse&#8217;s new album is now available, and is already receiving rave reviews!<br \/>\nListen to Florence Bolton talk about this wonderful project, on September 10 at 12.30 pm on Fr\u00e9quence Protestante and on September 16 at 8 pm on Radio Classique.<\/p>\n","protected":false},"author":6,"featured_media":6321,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/posts\/5923"}],"collection":[{"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/comments?post=5923"}],"version-history":[{"count":39,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/posts\/5923\/revisions"}],"predecessor-version":[{"id":6398,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/posts\/5923\/revisions\/6398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/media\/6321"}],"wp:attachment":[{"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/media?parent=5923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/categories?post=5923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/tags?post=5923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}