{"id":6778,"date":"2024-11-10T18:37:56","date_gmt":"2024-11-10T17:37:56","guid":{"rendered":"https:\/\/ensemblelareveuse.com\/?p=6778"},"modified":"2025-02-08T12:29:42","modified_gmt":"2025-02-08T11:29:42","slug":"marin-marais-tombeau-pour-monsieur-de-ste-colombe-2","status":"publish","type":"post","link":"https:\/\/ensemblelareveuse.com\/en\/marin-marais-tombeau-pour-monsieur-de-ste-colombe-2\/","title":{"rendered":"Disque Marais r\u00e9compens\u00e9 !"},"content":{"rendered":"

Sorry, this entry is only available in French<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

<\/p>\n

REVUE DE PRESSE<\/h2>\n

\u201cCet ensemble fran\u00e7ais dresse ainsi un tableau extr\u00eamement imaginatif et spirituel d\u2019un art qui, heureusement, n\u2019est pas tomb\u00e9 dans l\u2019oubli.\u201d<\/em>
\nAart van der Wal, OPUS Klassiek, <\/em>septembre 2024<\/strong><\/p>\n

\u201cUn raffinement exquis et ce suppl\u00e9ment d’\u00e2me qui donne \u00e0 cette musique tout son relief et sa profondeur<\/em> !\u201d
\nJean-Baptiste Urbain, Musique Matin<\/em>, France Musique<\/em>, 3 septembre 2024<\/strong><\/p>\n

\u201cThe superb french early music ensemble La R\u00eaveuse interprets this elusive and intricate music with stylish gravity.\u201d<\/em>
\nJanet Banks, The Strad Magazine<\/em>, 17 septembre 2024<\/strong><\/p>\n

\u201cThe selection is discerningly chosen, with an assured stylistic aplomb and a resonantly prominent bass continuo.
\nAn uninterrupted pleasure, carefully documented and expressive intensity<\/em>.\u201d
\nNicholas Anderson, BBC Music Magazine<\/em>, septembre 2024 (***** BBC)<\/strong><\/p>\n

\u201cUn sommet d\u2019\u00e9motion\u201d<\/em>
\nC\u00e9cile Glaenzer, Resmusica<\/em> septembre 2024 (Clef du mois de Resmusica)<\/strong><\/p>\n

\u201cThe ensemble captures the enduringly mysterious qualities of Marais\u2019s music with intimacy, warmth and style<\/em>.\u201d
\nWilliam Yeoman, Gramophone, octobre 2024<\/strong><\/p>\n

\u201cSuperbe !\u201d<\/em>
\nLo\u00efc Chahine, Diapason, octobre 2024 (5 de Diapason)<\/strong><\/p>\n

\u201cA gorgeous sounding recording, An highly recommanded album !\u201d<\/em>
\nAdult music podcast, 15 septembre 2024<\/strong><\/p>\n

\u201cUn disque exceptionnel<\/em>.\u201d<\/em>
\nPierre Benveniste, Baroquiades<\/strong>, octobre 2024<\/strong><\/p>\n

\u201cLes quatre interpr\u00e8tes de La R\u00eaveuse jouent toujours avec la m\u00eame \u00e9l\u00e9gance, cultivent la m\u00e9lancolie sans \u00eatre doucereux, l\u2019espi\u00e8glerie sans \u00eatre vulgaires, offrent un exemple magnifique de la puret\u00e9 baroque. Un d\u00e9lice<\/em>.\u201d<\/em>
\nG\u00e9rard Pangon, Musikzen, octobre 2024 (\u201cSoleil\u201d Musikzen)<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in French<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>\n

Apr\u00e8s un premier disque Marais couronn\u00e9 d\u2019un Gramophone Editor\u2019s Choice et d\u2019un Choc de Classica chez Mirare, notre deuxi\u00e8me opus, consacr\u00e9 au jeune Marais et \u00e0 ses liens complexes avec son ma\u00eetre de viole Sainte Colombe est nomin\u00e9 pour le Preis der Deutschen Schallplattenkritik.<\/p>\n","protected":false},"author":6,"featured_media":6757,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37,34],"tags":[],"_links":{"self":[{"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/posts\/6778"}],"collection":[{"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/comments?post=6778"}],"version-history":[{"count":8,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/posts\/6778\/revisions"}],"predecessor-version":[{"id":6938,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/posts\/6778\/revisions\/6938"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/media\/6757"}],"wp:attachment":[{"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/media?parent=6778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/categories?post=6778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ensemblelareveuse.com\/en\/wp-json\/wp\/v2\/tags?post=6778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}