{"id":7247,"date":"2025-09-08T17:30:45","date_gmt":"2025-09-08T15:30:45","guid":{"rendered":"https:\/\/ensemblelareveuse.com\/?p=7247"},"modified":"2025-12-15T12:06:50","modified_gmt":"2025-12-15T11:06:50","slug":"revue-de-presse-london-circa1760","status":"publish","type":"post","link":"https:\/\/ensemblelareveuse.com\/en\/revue-de-presse-london-circa1760\/","title":{"rendered":"Revue de presse London circa 1760"},"content":{"rendered":"

Sorry, this entry is only available in French<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

\u00ab\u00a0La perfection technique \u00e0 laquelle nous a habitu\u00e9s La R\u00eaveuse est ici au service d’un \u00e9lan jubilatoire qui colore ces tableaux de mille nuances subtiles.\u00a0<\/em>\u00bb\u00a0 <\/strong>C\u00e9cile Glaenzer, Resmusica<\/a>, 14 ao\u00fbt 2025.<\/p>\n

“A pure enchantment !”<\/em><\/strong> Tom Service, Saturday Morning Show, BBC 3<\/a> (Royaume-Uni), 16 ao\u00fbt 2025<\/p>\n

\u201cI\u2019d jump back in time any day to experience the tuneful sparkle of the pieces gathered by the French ensemble La R\u00eaveuse in their latest survey of the capital\u2019s 18th-century offerings\u201d.\u00a0 <\/em><\/strong>Geoff Brown, The Times<\/a> (Royaume-Uni), 19 ao\u00fbt 2025<\/p>\n

\u201cBaroque music buffs will enjoy such highlights !\u201d<\/em><\/strong>\u00a0 <\/strong>Holly Harris, Winnipeg Free Press<\/a> (Canada), 22 ao\u00fbt 2026<\/p>\n

\u201cUn disque beau et \u00e9l\u00e9gant ”\u00a0 <\/em><\/strong>La Libre Belgique <\/a>(Belgique), 3 septembre 2025<\/p>\n

“Un disque inventif et tr\u00e8s plaisant<\/em> ”\u00a0 <\/strong>Christophe Huss, Le Devoir <\/a>(Qu\u00e9bec)<\/a>, 29 ao\u00fbt 2025<\/p>\n

“<\/strong>Avec son p\u00e9tillant quatuor en r\u00e9 majeur, Florence Bolton (viole de gambe), Benjamin Perrot (luth) et leurs partenaires de La R\u00eaveuse, au jeu aussi lumineux qu\u2019\u00e9quilibr\u00e9, lui rendent hommage.<\/strong><\/em> “<\/strong> Manuel Brug, Rondo Magazin<\/a> (Allemagne), 23 septembre 2025<\/p>\n

“Dans ce projet, nous avions, nous musiciens, envie de montrer que l\u2019histoire de la musique, des modes instrumentales, de l\u2019organologie, etc. est… un t\u00e9moin \u00e0 part enti\u00e8re de l\u2019histoire d\u2019un pays.”\u00a0 <\/strong><\/em>Florence Bolton pour Jean-Pierre Tribot, Crescendo Magazine<\/a> (Belgique), 18 ao\u00fbt 2025<\/p>\n

” A fascinating journey !<\/em><\/strong> “, John Hendron, Biberfan<\/a>, 9 septembre 2025<\/p>\n

“Very attractiv<\/em>e”<\/strong> Charlotte Gardner, Gramophone<\/a> (Royaume-Uni), \u00a012 septembre 2025<\/p>\n

\u00ab\u00a0Beaut\u00e9 m\u00e9lodique, \u00e9l\u00e9gance, charme des tournures musicales, go\u00fbt exquis, sont les mots qui viennent \u00e0 l\u2019esprit \u00e0 l\u2019\u00e9coute de ce\u00a0disque\u00a0\u00bb<\/em><\/strong>. Pierre Benveniste, BaroquiadeS<\/a>, 4 septembre 2025<\/p>\n

“T<\/strong>he warm, flexible performances by La R\u00eaveuse are ideal<\/em>.<\/em>“<\/strong> James Manheim, All Music<\/a>, 22 ao\u00fbt 2025<\/p>\n

\u201cClarity and a surprisingly contemporary sound are two striking features of the music on ‘London Circa 1760,’ along with the vitality and sheer virtuosity of the performers. The music’s immense elegance is also striking.” <\/em><\/strong>C Cornell Evers, Reporters on line<\/a>, 16 septembre 2025<\/p>\n

“The performances are hard to surpass”<\/strong><\/em> Johan Van Veen, Music Web International<\/a>, 28 septembre 2025<\/p>\n

\u201cC\u2019est avec une interpr\u00e9tation toujours aussi chaleureuse et raffin\u00e9e, que se referme le captivant feuilleton londonien commenc\u00e9 en 2019 par Florence Bolton, Benjamin Perrot et leur ensemble La R\u00eaveuse.<\/em> \u00bb<\/strong> Sophie Bourdais, T\u00e9l\u00e9rama<\/a>, 12 octobre 2025<\/p>\n

\u00a0“Baroque salon music at its most alluring”<\/em><\/strong>, Peter Quantrill, The Strad<\/a>, 31 octobre 2025<\/p>\n

“La interpretaci\u00f3n es invariablemente hermosa y elegante, con una elegancia te\u00f1ida de un encantador aroma franc\u00e9s.”<\/strong>, <\/em>Mariano Acero Ruil\u00f3pez, SCHERZO<\/a>, 18 novembre 25<\/p>\n

“La R\u00eaveuse fascineert met gamba en glasservies”<\/strong><\/em>, Maarten-Jan Dongelmans, Gelderlander<\/a>, 12 novembre 2025<\/p>\n

“Le son dense de La R\u00eaveuse respire toujours le m\u00eame enthousiasme”<\/strong><\/em>, Elisabeth Haas, Le Libert\u00e9<\/a>, 24 octobre 2025<\/p>\n

“L’enregistrement int\u00e8gre une r\u00e9verb\u00e9ration abondante, qui enveloppe la sonorit\u00e9 riche des instruments anciens”<\/em><\/strong>, Picolist, Note<\/a>, 2 septembre 2025 (japonais)<\/p>\n

“The general vibe of celebratory elegance comes through consistently, thanks in no small part to the expert but light-fingered touch of the La R\u00eaveuse ensemble<\/em>.”<\/strong> Rick Anderson, CD Hotlist<\/a> , 6 octobre 2025<\/p>\n

 <\/p>\n

Podcasts:\u00a0<\/strong><\/span><\/p>\n

France Musique<\/a>, La Matinale du 15\/08\/2025 avec Florence Bolton, : “J’ai toujours eu le go\u00fbt de raconter des histoires”<\/p>\n

SRF<\/a> (Suisse), concerto, “Die Bl\u00fctezeit der Gambe in London mit dem Ensemble La R\u00eaveuse” – Une belle pr\u00e9sentation de l’album London circa 1760 par Fabian Kristmann et Michael Schwendimann sur SRF (Schweizer Radio und Fernsehen) (En allemand)<\/p>\n

WDR 3<\/a>, H\u00f6rstoff, neue Klassik-Alben, Une pr\u00e9sentation concise et tr\u00e8s compl\u00e8te de l’album London circa 1760 dans l’\u00e9mission consacr\u00e9e aux nouveaux albums de musique classique du 22\/08\/2025, avec de nombreux extraits. (En allemand)<\/p>\n

France Musique<\/a>, En piste<\/em>, le 15 septembre 2025 (\u00e0 27 :25)<\/p>\n

Carnets sur Sol<\/a> \u2013 10 septembre 2025, ”\u00a0Un programme tr\u00e8s convaincant ! “,\u00a0 Rubrique \u00ab coups de c\u0153ur \u00bb ( \u00e0 19\u201955)<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in French. For the sake of viewer convenience, the content is shown below in … <\/p>\n

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